"In her mixed media collages, Gunlock explores the restless intersection of nature and the built environment. 

 

She depicts trees with rugged branches and burly roots wrangling with residential facades, windows, gates and other architectural features. Gunlock captures a fleeting moment in this struggle, one in which nature and architecture seem to co-exist in a colorful equilibrium, if only for a moment. Gunlock alludes to historical patterns of overshoot, which are marked by excessive demand for natural resources, followed by eras of human decline and the slow recovery of forests and ecosystems. But in these works, Gunlock offers a vision of a hopeful future in which the built environment is woven sustainably into the natural world."

 

-Al Grumet of Art Works for Change

www.artworksforchange.org

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Jennifer Gunlock's work explores the relationships between the objects of nature and those imposed upon them by human activity. By layering photographs taken on her travels, decorative papers and drawing, she constructs tree-based forms which are awkwardly fused with architectural motifs. Each composition reflects a long passage of time in which buildings and trees stretch and crumble, each pushing against the other. The work is a commentary on humanity’s direct impact on the environment, as well as Earth’s interminable shapeshifting over the long history of its existence.

Based in Los Angeles, Gunlock has received an MFA at California State University, Long Beach in 2003. A 2022 recipient of the Pollock-Krasner Foundation grant, she has exhibited nationally and in local venues such as Sturt Haaga Gallery at Descanso Gardens, Los Angeles Municipal Art Gallery, Launch LA, and Angels Gate Cultural Center. She has been Artist in Residence at Cill Rialaig Project in Ireland; Playa in Summer Lake, Oregon; Brush Creek Foundation for the Arts in Saratoga, Wyoming; and at the Pajama Factory in Williamsport, Pennsylvania, among others. In 2014-15 Gunlock participated in “Fires of Change,” an NEA-funded collaboration between artists and scientists, to translate the social and ecological issues surrounding wildfire in the Southwest. Following a fire science bootcamp in the Grand Canyon, and a year to complete a project, a group exhibition opened at Coconino Center for the Arts in Flagstaff, Arizona in September 2015 and traveled to the University of Arizona Museum of Art in Tucson and 516 Arts in Albuquerque, New Mexico.